wakingvolcanoesLast year, I wrote about a band who were prematurely cut from Surface Festival due to the fact that I didn’t think they deserved the early exit they got. Back then, they were known as Last Men Standing and the Southend three-piece are indeed still standing albeit under a different guise -Waking Volcanoes.

Having spent their time gigging in small time venues, they are slowly building the profile of the newly named group. With three new tracks to their name, they’re well on their way to announcing the release of a record. Expect something with Anthony Kiedis-esque vocals, Arctic Monkeys’ bass and maybe even a few new, unexpected surprises!

Keeping that slightly retro slant on their guitar-led tracks, they still write the same catchy, funky rock tunes that first inspired me to feature them. However, they clearly have done some re-thinking, re-launching over the past few months as they have a newfound grit and raised the bar a level or two. Clever basslines, a smooth groove in the riffs and funk-fuelled drum beats along with the clear, gravelly vocals tones are what comprises their sound. Listen to Martha’s Missing below.

Keep up with the band’s progress on Facebook.

About these ads

The MasqueradeIt’s no secret that I love discovering cheeky, upbeat pop-punk bands and I was incredibly excited to be introduced to The Masquerade this week. A Pennsylvania foursome who are just beginning their musical career having only formed earlier this year, they are quite possibly the best BRAND new band I’ve ever heard.

Joining a genre that is packed with greats such as All Time Low, Bowling For Soup and New Found Glory amongst many others seems like a really tough task but there is no denying that The Masquerade appear to have got their niche sorted and with a catchy debut single to boot, they have so much going for them.

With an album due for release in the summer, they have kicked things off with Set Your Mind To It, a motivational, refreshing track with the signature pop-punk vocal tone, fast drum rolls and metallic guitars. Promoting a positive message with clear determination to reach their goals can only be the best attitude to burst onto the scene with. Indeed, the line “we turned our dreams into plans instead” is something we can all be inspired by. Listen to it below.

If you love The Masquerade’s style already, then you can keep up with them on Facebook and Twitter.

Stooshe came to our attention last year with their smash hit Black Heart and then followed it up with a rather astonishing cover of the TLC classic Waterfalls. Their new single Slip retains that really lovely retro soul sister sound while maintaining a young, cool style. Upbeat, classy and oh so addictive, Slip is released on May 12th. Have a listen!

alexandersayhelloTITLE: Say Hello
BAND: Alexander
LABEL: I Am Mighty Records
RELEASED: April 26th 2013

A little while ago, I wrote a New Sounds article on this Newcastle indie band including the video for their single You Lost Yourself. Now they have released their debut album and it is full of thought-provoking, memory-inducing rock hits. A chirpy first album title suggests they’re a band who are eager to please their fans and are prepared to take the already over-saturated indie scene by storm.

Beginning with the title track is always a great place to begin an album and indeed with a career. Say Hello has a melodic guitar, which is something that crops up a lot on the album and a great catchy hook. A very authentic indie tone is embedded in the vocals, which are backed up towards the end by atmospheric backing. It is an awesome opener and it really does make you want to listen on.

Maybe I Was Wrong appears to be a song of grovelling and loss and although there is definitely the sense of despair, it has an American pop punk sound to it giving it a little cheekiness. A chilled guitar and slight Red Jumpsuit Apparatus vibe along with a catchy instrumental make it an awesome live track. The lights, stage and visuals are all conjured up in your mind as you listen.

alexanderIt then arrives at the single that has got so many fans worked up about how the album will turn out. You Lost Yourself is the track that is still making its way through my ears even after I’ve stopped listening. The chorus is almost chanted by the band giving it a sense of togetherness. It’s easy to see why this was the promotional single, given its catchy rhythm and festival feel. Some good memories will no doubt be made to this track this summer.

Find My Way Out has a resonating 30 Seconds To Mars-esque drone that is there from the start and continues throughout the song. Eerie vocals and a pop rhythm join deeper vocals in the bridge which give it an edge. There is a definite ethereal feel to it with a dancing guitar that evolves into an impressive solo riff at the end.

Lulling into the brief interlude in the album, A Sweet Song. A soft acoustic base sits underneath whispery vocals. The storytelling aspect gives it a folksy accent but the guitar nods to country, which adds some really intriguing dimensions. It is a very different interlude and it makes it a quirky and distinctive record.

Vapour Trails retains the breathy vocals from the previous track but includes a rolling guitar and a steady beat. It is classic British laid-back indie with awesome live potential. The fuzz of the instruments slowly increase their weight and by the instrumental, they’re at one with the drums in a fierce frenzy. An unexpected spaceship sound ends the track and makes you realise you’ve been on a journey to Alexander’s world.

Perhaps my favourite track on the album is Without A Parachute. It has a great young and fresh feeling to it with a catchy indiepop chorus. Upbeat guitars produce resonating riffs and the title provides a very catchy hook. The metaphor for falling in love and being uncertain about whether it will be reciprocated is something that everyone has experienced and there is a real suggestion of this within the track.

Ending on another song which fully shows off what Alexander are capable of was a smart move. Old Fashioned Romance has a simple dreary opening of a piano and low vocals. There is a sense of darkness and loss and when the soft chimes arrive, it takes on an almost haunting form. The piano continues throughout and leads the rest of the instruments which gradually build up until the backing vocals turn it into a gravelly chant. It climaxes with an epic instrumental that really resonates through a room before dying down again. Another amazing live song to end on.

Alexander sound like they could well be the next big band. A great unique sound, the potential to capture a crowd and a rough and ready image. Keep an eye out for these guys!

wayneszalinski

Michigan quartet Wayne Szalinski got their new EP reviewed earlier this week and I couldn’t wait to ask them a few questions about their quirky, smooth sound. The band are now preparing to go on tour and show their expert songwriting to the masses. After falling in love with their latest EP Fondly Truly, I was delighted that Andy was willing to take the time out to discuss music, touring and erm… being a mongoose.

How did the band start?
We’re all students at Michigan State University, but we had known each other through a small local high school music scene in Plymouth, MI where we grew up. I had just finished Atrophy for Lethargy in the Spring of my freshman year when I approached Andrew and said “I’ve got a song for you, I’m ready.” Andrew and Ian had both been brewing up plans to form a new band for some time, but I was still in some transitory phase that left my musical writings vague and varied. Atrophy for Lethargy was the first material I had written that I actually liked for some time. After I played the song with them, I knew we were on to something -it was an instant connection. We had all known each other previously, so we had a great dynamic. We picked up Nick as another band he was in died out, and formed Wayne Szalinski over the summer of 2012. 

 
Where does the name come from?
“Wayne Szalinski” is the name of Rick Moranis’ character in Honey I Shrunk the Kids. The material we were writing (or wanted to be writing) was much goofier at time. We were aiming for this wacky aloofness that we felt was exemplified in Wayne Szalinski. We all grew up seeing the film and had become rather fond of the art of misadventure and the struggling inventor. Now we’re writing music with a deeper approach to content and lyricism, but the name has evolved to mean a lot to us and we cherish it closely. 
 
Who are your musical influences?
Our musical tastes vary from person to person but we have some common influences. This Town Needs Guns has been a big inspiration, as they artfully piece together unique rhythms and individual melodies and create something truly unique. They also take math-rock in a more gentle direction and we love that. Often times in the math-rock and punk communities you can find this hyper-masculine aggression that is really off-putting. We really have become quite fond of the kindness they exhibit on-stage and in person. Radiohead is an obvious influence, almost a necessary one in the 21st century. Andrew and I have an exceptional love for them, though we always squabble over which album is best. Despite being a huge name in music, Radiohead has continued to evolve, predicting or setting the trend for music in the future. That foresight is incredibly impressive and places them in the realm of musical genius. The Smiths have also become so very dear to our hearts. Johnny Marr creates such beautiful guitar melodies and songs. It’s a wonderful blend of new wave pop and a more stern approach to indie-rock. We don’t discount Andy Rourke either, who wrote such fantastic bass parts, bass is so often neglected as a valuable member of the band these days. Morrissey is perhaps the most inspirational, obviously, at least for myself in particular. I don’t always agree with his approach, but I strongly identify with much of his being. Though he has this punkish angry side at times, again, I’m most touched by his gentleness and rare moments of vulnerability. The interchange between those two sides of him is beautiful. 
 
In addition to those three loves, I’m often found listening to Toro y Moi, Jens Lekman, Darwin Deez, and a handful of incredible Michigan bands that everyone should know: Anathallo, Breathe Owl Breathe, and Frontier Ruckus. 
 
What is your favourite song from Fondly Truly?
My favourite song from Fondly Truly is Some Collagist. It was perhaps the most effortless for us to write as a group, but incredibly painstaking for me personally. Lyrically, I think the whole EP possesses depth in its conciseness, and can be scoured over and over. I still re-analyze the words I once wrote and they take on new meanings. Some Collagist is perhaps strongest in this balance of concise depth. Andrew would say it’s the “prettiest” and I’m inclined to agree. 
 
What has been the band’s biggest achievement so far? 
I think our greatest achievement is really in the creation of music. Fondly Truly was recorded way back in December and some of the tunes where written long before that. It’s really satisfying to finally see it all come to fruition. We’re also rather proud of the connections we’ve built with listeners and the intimacy we share with them through music. 
 
Do you have plans to tour soon? 
Wayne Szalinski is going on tour very soon. We’re leaving on the 6th of May and we’re all quite excited, it’ll be our first time as a group and as individuals. We’ve got our fingers crossed it goes well. 
 
If you were an animal, what would you be and why?
I suppose I can only answer personally to this question. If I could be any animal, I would be a mongoose. I’ve been fascinated with mongooses ever since I say Riki-Tiki-Tavi as a child. There is this adorable scene where he eats a slice of banana that could definitely warrant a couple thousand plays on YouTube. Mostly the creatures are just intelligent and protective, they seem to have a morality, and still possess this flirtatiousness that’s so very charming. They’re quirky and aloof, and I’d love to have one for a pet, but they’re not allowed in the U.S. without special permit. That saddens me deeply. 
 
What would you be doing if you weren’t in Wayne Szalinski?
I’d still be making music even if Wayne Szalinski didn’t exist. Even now, I maintain a solo project that provides an outlet for experimentation. We’re all still studying at the University, though the future is uncertain. If I didn’t make it in the music industry, I’d like to think I’d find some success in writing, whether it be poetry or prose. I’m aiming for a professorship now, but the path changes so very often, who knows where I’ll end up. 

runthejewelsTITLE: Get It
ARTISTS: El-P, Killer Mike
LABEL: Fools Gold Records
RELEASED: April 29th 2013

After collaborating on El-P’s Cancer 4 Cure last year and El-P’s production work on Killer Mike’s R.A.P album, the two have joined forces again and become Run The Jewels. They are set to release a free mixtape within the coming months and for the first time, they have released a full song so that we can get a little taster of what’s to come. They are also touring North America together in support of the new project and will be joined by Despot and Kool Aid.

Get It is three minutes of fast, trippy hip hop that sees the two artists swap lines to an electronic bounce that evolves into a real earworm. The growls and squirts of the backing compliment the speedy delivery and it has an overwhelming, aggressive mystery to it. When the chorus falls into place with the glitchy “g-g-g-g-g-get it”, it turns into the perfect rave track.

el9It continues to snarl and rage its way through and has been described as “monstrous”. It is a pretty big monster of a track and is a great example of the music that is produced when these two get together. It isn’t a million miles from what we’ve heard from them before and is probably reflective of what is to come.

After the success of both rappers’ last albums, Run The Jewels looks set to be a hip hop dream team. Distinctive, fresh and oh so dark, Get It is just the first of many more in the same vein to come.

Aussie popstar Jacob Butler is another regular on the blog and I have recently been sent an interview he did for Grapevine TV in Australia. Talking about his time in Europe and his recent musical ventures, it seems that Jacob is getting it all pretty sorted. The video includes a pretty awesome acoustic performance of his latest single Mind Waltz too, which I reviewed on its release. Dip into the mind of a talented musician!

 

Follow

Get every new post delivered to your Inbox.

Join 38 other followers